Aaron Hill’s work hovers in a space between creation and destruction.
It teaches us to be present in the fragile space between dichotomies—expansion and contraction, light and dark, physical and emotional, and ultimately life and death—reminding us that power and clarity can be found in the acceptance of this fragility.
Like an image of a melting frame of celluloid, the works are artifacts from a moment in time; the sequence of life outside each frame being much larger than what is captured.