Previous Exhibition

Kate Barry —
Traces In Between

Oct 20 – Nov 4, 2016

About the Artist      

I get lost in the series of painted marks as they charter a rough course across the canvas. Painting pulls me between reality and the subconscious. Visual passages travelled and traces of snatched emotional responses are left upon the surface. As we pass by we allow ourselves to be drawn in. 

About the Artist

Kate Barry

Kate’s journey has been acknowledged with numerous finalist selections and esteemed awards, including winner of The Hawkesbury Art Prize, highly commended in the Lethbridge Landscape Prize and The Milburn Landscape Prize, finalist in The Lethbridge 20,000 prizes, NEAP, National Emerging Artist Prize online selection, Clayton Utz Prize, and Brisbane Contemporary Art Prize.

Her artistic footprint spans the globe, with solo and group exhibitions in Queensland, NSW, and Christchurch. Her works are held in Australia, the USA, Spain, the Netherlands, and New Zealand. Notably, her pieces find a cherished place in The Modern Furniture Stores’ collections across various cities. Furthermore, her work found prominence on the international stage through ABC television’s crime drama Harrow.

As Kate’s practice surges ahead, marked by a multitude of accomplishments—ranging from commissions to online and boutique sales, television features, and national prize finalist positions—she seamlessly integrates this progression into her exploration of new conceptual dimensions, challenging the boundaries of her successful painting career.

About the Curator

Beth Jackson

Beth is a curator of contemporary art with over twenty years’ professional experience working in the gallery sector and in the realm of public art, across public and private spheres. Her curatorial consultancy practice Artfully, established in 2012, seeks to embed art meaningfully within social contexts and built environments. For Beth, curating is not simply about having a bird’s eye view of the field, picking ‘winners’ or ‘rising stars’. It is a deliberate investment in process and dialogue between curator and artist, between artists and fellow creatives, fostering living and ongoing conversations, encouraging peer review, collaborations, sharing and problem solving. Involvements include studio visits, camping on locations, sharing informal joint activities, more formal workshop scenarios, and facilitating professional introductions and networks. Side Gallery is an opportunity to have intimate and serious one-on-one conversations with artists for a particular ‘snapshot’ within their practice. Beth has abiding interests in feminism and environmentalism. She produces art criticism for journals such as Eyeline Magazine as well as for exhibition catalogues and other publications.