Previous Exhibition

Carolyn V Watson —

Feb 29 – Mar 3, 2024

About the Artist      

A soft opening preview for the body of work created to be shown in Tasmania’s Penny Contemporary gallery later this year. Continuing with CVW’s signature experimental assemblages addressing elements of process and ritual, this pop-up preview is an opportunity to see the works before they are taken to Hobart for the artist’s solo exhibition, The comfort of shared uncertainty.

Join us for opening night drinks — Thursday, 29 February 6 – 8 pm
Don't miss the artist talk — Saturday 2 March 11 am

Artwork enquiries:
We will direct your enquiry to Penny Contemporary.
Or feel free to reach out directly to:
Sonia Penny

About the Artist

Carolyn V Watson

For over 20 years, Carolyn V Watson has used her art practice to comprehend and chronicle her life history and experiences. Primarily self-taught, Watson was initially committed to an intense drawing and painting practice before experimenting with three-dimensional making to expand her art and her private ruminations. In contrast to the purposeful looseness and immediacy of her drawings, Watson’s sculptural responses make explicit the contemplative and multilayered nature of her work. Drawn to a grotesque feminine aesthetic, she employs labour-intensive methods such as hand-stitching, carving, moulding and assemblage to draw out physical embodiments of her deep thought processes and highlight connections between her inner world, her home environment, and the natural world. Cornerstones might include personal memory, natural history, gothic imagery, or the lush and unruly garden surrounding her studio.

Watson shifts between two and three-dimensional modes while working, resulting in bodies of work with distinct rhythms that repeat, echo and mimic reference points throughout. Totemic and ritualistic, they exist in the indeterminate space between the familiar and the foreign, the natural and the human-made.
Carolyn V Watson is an alum of the Queensland College of Art. Highly Commended in the inaugural 2021 Lethbridge Landscape Prize and a dual finalist in the 2020 Tom Bass Prize for Figurative Sculpture, she has won multiple awards at the Brisbane Sculpture Festival (2019, 2018, 2017, 2016) and Brisbane Rotary Art Spectacular (Won – 2016, Finalist – 2017), and been a finalist in numerous awards including the Moreton Bay Regional Art Awards (2019, 2017, 2016, 2013, 2011); the Marie Ellis OAM Drawing Prize (2015, 2013, 2010); the Prometheus Visual Art Award (2011, 2009) and the Lethbridge 10000 Small Scale Art Award (2015), the Jacaranda Acquisitive Drawing Award (2012) and the John Fries Memorial Art Prize (2012). Included in the Churchie National Emerging Art Prize in 2008, her work has been exhibited in solo and group exhibitions throughout Australia since 2006.


About the Curator

Laura Brinin

Laura Brinin is a curator of contemporary art, currently facilitating the vibrant program at Side Gallery in the heart of Red Hill, Brisbane. With an unwavering passion for nurturing connections with emerging and established creatives, Laura is dedicated to fostering artistic growth through avenues such as social media, branding, and identity development.

Laura has exhibited her own work both in Australia and overseas, as well as working as an independent freelance curator across Brisbane for over ten years. In her downtime, you can find her reading, travelling, or stalking dogs.