just when I thought I was out, they pull me back in attempts to understand perpetual narratives portrayed from the outset of the historical Australian Impressionist landscape painting genre. Adopting, appropriating and redrawing ideas and imagery of the past, Sherington employs methodologies of enactment and complicity to leverage historical ideas toward critique and subversion. The picturesque Euro-Australian landscape becomes a constructed and fabricated space and iconic nationalised imagery is utilised to better understand a narcissistic engagement with history. Images throughout this show are often referential to each other, iterative in nature, reconfigured premises and contextualised by works from the past.
Sold
A Fabrication 2021
Technical pen on archival paper
140 x 100
$1800 Sold
Untitled (Spring Narcissus) 2021
Technical pen ink on inkjet print
110 x 78.5 cm
$600
Untitled (Summer Afternoon Eaglemont Narcissus) 2021
Technical pen ink on inkjet print
110 x 78.5 cm
$600
Untitled 2021
Inkjet on archival paper
Limited Edition of 10 (7 available)
57 x 38 cm
$80
Untitled 2021
Cyanotype on archival paper
Limited Edition of 5
57.5 x 38.5 cm
$160
Sold
Untitled (Land of the golden fleece) 2021
Cyanotype on etched ceramic tile
27 x 16.5 cm
$220 Sold
Sold
A means to a (commercial) end 2021
Pigment ink on archival paper
8.5 x 8.5 cm
$160 Sold