Current Exhibition

Susan Lhamo —
An Intuitive Mind

Nov 20 – Nov 28, 2025

About the Artist      

This recent body of work by Susan Lhamo titled An intuitive mind reflects a process that relies heavily on intuition and responsiveness. The works in this exhibition draw on imaginings and memories of the artist’s lived experience. Over time, through learning to ‘trust the process’ and allowing each piece to unfold through composition, colour, and mark-making, Lhamo reveals a bold and vibrant lyricism.

Lhamo begins gesturally, using large brushes and sweeping strokes to lay down broad areas of colour that establish an intuitive framework. Early marks establish a sense of direction and inform the emerging composition, often through linear elements. From this foundation, she responds instinctively, engaging in a visual dialogue with the paint as the work evolves.

Through this approach, streams of unconscious memories surface, finding form in the transitional space between the subconscious or internal world of the artist, and the everyday experience. Each painting becomes an expression of Lhamo’s inner life, shaped by an intuitive, responsive, and deeply introspective practice.


OPENING EVENT
Saturday 22 November 4 – 6 pm

ARTIST IN CONVERSATION
Come along from 4:00 pm and join us for an artist in conversation with Susan and writer Jessica McNicol.  

Artwork Notes

An Intuitive Mind By Jessica McNicol

An Intuitive Mind is veteran artist Susan Lhamo’s 6th solo exhibition, and it is aptly named. Using an instinctive process that calls the work out from the subconscious, Lhamo allows intuition to guide her, forming elegant and considered abstractions that have earnt her space in private collections, as well as garnering a number of national accolades.

From an early stage in her career, Lhamo has drawn inspiration from the abstract expressionists whose colour fields and deliberate experimentation with representation dominated the late modern and early contemporary visual landscape. Lhamo’s approach mirrors their strong reliance on colour and gesture as primary tools for a distinctly emotive language, and while these early inspirations still foreground her practice, her work is vibrant and fresh — free from the solemn rigidity of her early inspirations.

Before the work even makes it to the canvas, intuition defines it’s character. Lhamo begins by mentally interrogating the colour relationships that will ground each composition — experimenting with connections and contrasts to determine expressions of mood or influence. This is particularly obvious in Purple Dazed Noon’s Pool, where the artist admits she was interested in challenging the aversion to purple — softening its awkward intensity with pools of fresh lime and deep Phthalo blue.

Working without a preliminary design to guide her, Lhamo’s physical process also defers to her intuition. Preferring to work while standing, her process constructs layers through expressive movement and large gesture, while mid and foreground elements indicate a concentrated physicality, as Lhamo shapes her marks through subconscious response to the emerging composition.

To quote Lhamo — the painting dictates its own direction. Operating in this way, allowing the image to develop organically as she moves from large fields of colour to smaller surface gestures, Lhamo’s work unfolds as a reflectively driven meditation on compositional harmony.

Notably, works like Resilience, Forest Entanglement, and Tell Me Everything are shaped in this way, working towards confident surface details that range between raw and hard, to the softly diffuse. Rune-like, Lhamo’s foregrounding of line and symbol represents her internal connection to a larger visual consciousness. To the artist, these details are intuitively appropriated from the prehistoric signs and symbols of our neolithic ancestors. Returned to over millenia of art making, these familiar and instinctive marks anchor Lhamo’s paintings with familiarity that feels acutely personal amidst the soft energies of her gestural colour fields.

After 40 years of practice — Lhamo believes this collection, named in homage to her subconscious muse, is defined by freedom and confidence. After a long hiatus from solo exhibitions, she has returned with a tangible authenticity and a renewed approach that draws on experience, influence, and intuition.

About the Artist

Susan Lhamo

Susan Lhamo is a Tamborine Mountain–based artist living and working on Wangerriburra Country. Her practice centres on richly coloured abstract paintings that explore the emotional resonance of colour, form, and symbolic mark-making. Using landscape as metaphor, Lhamo’s intuitive process reveals subconscious narratives through layered compositions.

Educated at Kelvin Grove Teachers College with a Diploma of Art Teaching, she taught in Queensland high schools before expanding her skills through a Public Art course at Bremer TAFE in 2004. Lhamo has exhibited widely in both group and solo shows, with five solo exhibitions to date. Lhamo’s work is represented in private collections throughout Australia and internationally. She has been recognised with multiple awards over her career, including most recently as a finalist in the highly competitive 2025 Sulman Prize.